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Although technically, the pattern is only half a clave, Marsalis makes the important point that the single-celled figure is the guide-pattern of New Orleans music. The New Orleans musician Jelly Roll Morton considered the tresillo/habanera (which he called the Spanish tinge) to be an essential ingredient of jazz. [26]
Originally named the Archive of New Orleans Jazz and later renamed the William Ransom Hogan Jazz Archive, [2] it is often simply referred to as the Hogan Jazz Archive. [3] As of 2001, the archive was the world's largest jazz archive, with oral histories of more than 500 musicians of the genre.
Hear Live Jazz at Preservation Hall. New Orleans is full of incredible music everywhere you turn, but Preservation Hall on St. Peter's St. in the French Quarter is the cornerstone of New Orleans ...
"The Soul Rebels are rebelling against one, albeit detestable thing: starchy paint-by-numbers music. As the New Orleans collective gears up to release their eclectic Power = Power mixtape on December 3 as a free download, the eight-member band has dropped a few aural treats along the way...Somewhere between Cypress Hill, Brand Nubian and Miles ...
New Orleans was a regional Tin Pan Alley music composing and publishing center through the 1920s, and was also an important center of ragtime. Louis Prima demonstrated the versatility of the New Orleans tradition, taking a style rooted in traditional New Orleans jazz into swinging hot music popular into the rock and roll era. He is buried in ...
WWOZ (90.7 FM) is a non-profit community-supported radio station in New Orleans. It is owned by the New Orleans Jazz & Heritage Foundation. The station specializes in music from or relating to the cultural heritage of New Orleans and the surrounding region of Louisiana. The playlist includes jazz, blues, local, regional and world music.
The Second Line (1950–present) is the official magazine of the New Orleans Jazz Club. Formed in April 1950, the magazine is dedicated to jazz musicians, teachers, and enthusiasts who have attempted to preserve New Orleans jazz music from commercialization. [1] Its name is a reference to the practice of the second line.
The emergence of new musical genres continued in New Orleans, and by 1950s rhythm and blues had gained a foothold as an established style. [1] [2] The book chronicles the course of music evolution in New Orleans post-World War II from jazz to primarily rhythm and blues as well as rock and roll and avant-garde jazz.
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