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By the mid-1990s the sound had begun to be used in Caribbean music. [1] [16] Anne Dudley and Trevor Horn used an orchestra hit with the Art of Noise as a sound effect rather than a melodic instrument. [9] The sample was used in "Close (to the Edit)", where it was sequenced alongside sound effects of chainsaws, breaking glass and motorcycles. [17]
The record was produced by production music and sound effects recording producer Thomas J. Valentino. [4] The "Fifth" in the song's title is a pun, referencing a liquid measure approximately equal to one-fifth of a gallon, a popular size for bottles containing liquor, as well as Beethoven's Fifth Symphony from which the song was adapted.
Silly Symphony (also known as Silly Symphonies) is an American animated series of 75 musical short films produced by Walt Disney Productions from 1929 to 1939. As the series name implies, the Silly Symphonies were originally intended as whimsical accompaniments to pieces of music. [ 1 ]
Surround sound typically has a listener location where the audio effects work best and presents a fixed or forward perspective of the sound field to the listener at this location. Surround sound formats vary in reproduction and recording methods, along with the number and positioning of additional channels.
The sound of a bullet entering a person from a close distance may sound nothing like the sound designed in the above example, but since very few people are aware of how such a thing actually sounds, the job of designing the effect is mainly an issue of creating a conjectural sound which feeds the audience's expectations while still suspending ...
9 Beet Stretch, by Scandinavian artist Leif Inge, is a 24-hours long piece made of Beethoven's Ninth Symphony.There is a version of 9 Beet Stretch for every digital recording excisting of the full Ninth Symphony, which then is to be augmented digitally to a duration of 24 hours with no pitch distortions.
John James MacDonald (May 19, 1906 – February 1, 1991) was an American foley artist and voice actor. He was the original head of the Disney sound-effects department, and was also the second official voice of Mickey Mouse from 1947 to 1976 after Walt Disney stopped playing the character and before Wayne Allwine became the third voice of Mickey in 1977.
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