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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The Tlingit carve crests on totem poles made of cedar trees. The totem poles carved normally tell a story, and Tlingit artists carve subjects like animals into the totem poles. These pictures are aligned in a column down the pole, in order from top to bottom. The poles are put on outside corners of "traditional dwellings", used to structurally ...
While the oldest wooden artifacts are as much as 10,000 years old, carved and painted wooden objects are known only from the past 2,000 years. Animal effigies and face masks have been found at a number of sites in Florida. Animal effigies dating to between 200 and 600 were found in a mortuary pond at Fort Center, on the west side of Lake ...
Detail of a Tlingit totem pole, Ketchikan, Alaska. Alaska Native cultures are rich and diverse, and their art forms are representations of their history, skills, tradition, adaptation, and nearly twenty thousand years of continuous life in some of the most remote places on earth.
Yéil X̱ʼéen (Raven Screen) (detail). Attributed to Ḵaajisdu.áx̱ch, Tlingit, Kiks.ádi clan, active late 18th – early 19th century. Formline art is a feature in the Indigenous art of the Northwest Coast of North America, distinguished by the use of characteristic shapes referred to as ovoids, U forms and S forms.
Big Beaver Totem Pole [1] (also known as Story of Big Beaver, [2] or simply Big Beaver) [3] [4] is a 55-foot (16.8-meter) tall outdoor totem pole sculpture by Norman Tait, of the Nisga'a people of British Columbia, located in front of the north entrance to the Field Museum of Natural History in Chicago, Illinois.
Kwanusila is a 12.2 meter (40 foot) tall totem pole carved from red cedar. It stands in Lincoln Park at Addison Street just east of Lake Shore Drive in the Lake View neighborhood of Chicago, Illinois. The colorfully painted totems include a grimacing sea monster at the bottom, a man riding a whale above it, and Kwanusila the Thunderbird on top.