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The Penrose triangle, also known as the Penrose tribar, the impossible tribar, [1] or the impossible triangle, [2] is a triangular impossible object, an optical illusion consisting of an object which can be depicted in a perspective drawing. It cannot exist as a solid object in ordinary three-dimensional Euclidean space, although its surface ...
Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera.
Penrose stairs. The Penrose stairs or Penrose steps, also dubbed the impossible staircase, is an impossible object created by Oscar Reutersvärd in 1937 [1][2][3][4] and later independently discovered and made popular by Lionel Penrose and his son Roger Penrose. [5] A variation on the Penrose triangle, it is a two-dimensional depiction of a ...
The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face. Hybrid image. A Hybrid image is an optical illusion developed at MIT in which an image can be interpreted in one of two different ways depending on viewing distance. Illusory contours.
Movement in Squares, by Bridget Riley 1961. Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
Optical illusion is also used in film by the technique of forced perspective. Op art is a style of art that uses optical illusions to create an impression of movement, or hidden images and patterns. Trompe-l'œil uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions.
t. e. Aesthetic Theory (German: Ästhetische Theorie) is a book by the German philosopher Theodor Adorno, which was culled from drafts written between 1956 and 1969 and ultimately published posthumously in 1970. Although anchored by the philosophical study of art, the book is interdisciplinary and incorporates elements of political philosophy ...
New Objectivity (architecture) The New Objectivity (a translation of the German Neue Sachlichkeit, sometimes also translated as New Sobriety) is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s. It is also frequently called Neues Bauen (New Building).