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A fleuron (/ ˈflʊərɒn, - ən, ˈflɜːrɒn, - ən / [ 1 ]), also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the Old French: floron ("flower"). [ 2 ]
Clip art. Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form. Since its inception, clip art has evolved to ...
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art. The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason". The website was brought down for several months by ...
The fleur-de-lis, also spelled fleur-de-lys (plural fleurs-de-lis or fleurs-de-lys), [pron 1] is a common heraldic charge in the (stylized) shape of a lily (in French, fleur and lis mean 'flower' and 'lily' respectively). Most notably, the fleur-de-lis (⚜️) is depicted on the traditional coat of arms of France that was used from the High ...
Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display. Evidence of refined floral design is found as far back as the culture of ancient Egypt. Floral designs, called arrangements, incorporate the five elements and seven principles of floral design.
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A floral diagram is a schematic cross-section through a young flower. [1] It may be also defined as “projection of the flower perpendicular to its axis”. [3] It usually shows the number of floral parts, [Note 2] their sizes, relative positions and fusion. Different organs are represented by distinguishable symbols, which may be uniform for ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.