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The Euphronios Krater (or Sarpedon Krater) is an ancient Greek terra cotta calyx-krater, a bowl used for mixing wine with water. Created around the year 515 BC, it is the only complete example of the surviving 27 vases painted by the renowned Euphronios and is considered one of the finest Ancient Greek vases in existence.
The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and ...
Dipylon Kraters are Geometric period Greek terracotta funerary vases found at the Dipylon cemetery; near the Dipylon Gate, in Kerameikos.Kerameikos is known as the ancient potters quarter on the northwest side of the ancient city of Athens and translates to "the city of clay."
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
They were typically small (about 10cm high), made of terracotta, and were found in tombs, shrines and settlement areas. They are classified by their shape and a resemblance to the Greek letters of tau (τ), psi (ψ) and phi (Φ), according to a typological system created by Arne Furumark in 1941.
A red-figure Nolan amphora. The Nolan amphora is a variant style of the amphora jar, a common artifact of Greek and Roman pottery. Nolan amphorae are characterized by a neck that is longer and narrower than in traditional neck amphorae, along with ribbed handles or straps that join the piece at the base of the neck. [1]
At a Greek symposium, kraters were placed in the center of the room.They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a kyathos (pl.: kyathoi), an amphora (pl.: amphorai), [1] or a kylix (pl.: kylikes). [1]
Throughout the Late Helladic era, the patterns become more and more simplified until they are little more than calligraphic squiggles. The vase painter would cover the majority of the vase with horizontal bands, applied while the pottery was still on the wheel. There is a distinct lack of invention in this form of decoration.