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Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
Sprechgesang is more closely aligned with the long-used musical techniques of recitative or parlando than is Sprechstimme.Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century.
Thumri (Hindi: [ˈʈʰʊmɾiː]) is a vocal genre or style of Indian music. [1] [2] The term "thumri" is derived from the Hindi verb thumuknaa, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle."
Throat singing techniques may be classified under an ethnomusicological approach, which considers cultural aspects, their associations to rituals, religious practices, storytelling, labor songs, vocal games, and other contexts; or a musical approach, which considers their artistic use, the basic acoustical principles, and the physiological and mechanical procedures to learn, train and produce ...
Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Jurm-e-Ulfat Pe Taj Mahal (1963 film) Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Sharabi, Sharabi Ye Savan Ka Mausam Noor Jehan (film) Roshan (music director) Suman Kalyanpur: Hindi: Gaud Sarang: Woh Dekhen To Unki Inayat Funtoosh: S. D. Burman: Kishore Kumar & Asha ...
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent.It is the oldest known style of major vocal styles associated with Hindustani classical music (for example in the Haveli Sangeet of Pushtimarg Sampradaya [citation needed]), and is also related to the South Indian Carnatic tradition.
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.
The human voice has a direct and dramatic way of expressing the percussive aspects in music directly. [5] Trichy Shri R Thayumanavar gave a rebirth to konnakol. His disciple Andankoil AVS Sundararajan, a vocal and miruthangam Vidwan, is a konnakol expert, as is Mridangam Vidwan Shri T S Nandakumar. [6] [7]