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"Untuk Negeri Kita" (Jawi: اونتوق نڬري كيت , pronounced [untuʔ nəgəri kita]; "For Our State") is the state anthem of the Malaysian state of Penang.It was composed by the late Second Lieutenant Awaluddin Zainal Alam who submitted it to a competition made for selecting the state anthem.
Duli Yang Maha Mulia (Jawi: دولي يڠ مها موليا , pronounced [duli jaŋ maha mulia]) is the title of the state anthem of Selangor, Malaysia.It was adopted in 1967.
Surat Kecil untuk Tuhan is the soundtrack album to the 2017 Falcon Pictures film of the same name.Directed by Fajar Bustomi, the film featured children's songs reinterpreted with choral arrangements by Fero Aldiansya Stefanus and performed by the Purwa Caraka Music Studio Choir, conducted by Jessica Fedora Amadea.
Candan Erçetin: Neden "Bensiz" Without me: Neslihan Engin & Candan Erçetin "Mühim Değil" It's OK. Neslihan Engin & Candan Erçetin "Sonsuz" Infinite: Candan Erçetin: Melek "Nedense Sustum" For some reason I didn't spoke: Candan Erçetin & Alper Erinç: Kırık Kalpler Durağında "Sen" You: Candan Erçetin & Alper Erinç & Nuri Irmak ...
The plantation has over 200,000 trees of a special hybrid Aquilaria spp species which is critically endangered in the wild which spreads over an area of 120 hectares. [1] [2] Gaharu is the local Malay name for this tree better known as Agarwood, Aloes or Eagleswood to the world.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...