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The poem was published one season at a time, Winter in 1726, Summer in 1727, Spring in 1728 and Autumn only in the complete edition of 1730. [2] Thomson borrowed Milton's Latin-influenced vocabulary and inverted word order, with phrases like "in convolution swift".
Autumn: 8 August–6 November; Winter: 7 November–3 February; Within season categories, kigo can denote early, middle, or late parts of a season, which are defined approximately as the first, second, or third month of the season. [11] In linked haiku forms like renku, subsequent linked haiku must move forward in season temporally. There are ...
"Locksley Hall" is a poem written by Alfred Tennyson in 1835 and published in his 1842 collection of Poems. It narrates the emotions of a rejected suitor upon coming to his childhood home, an apparently fictional Locksley Hall, though in fact Tennyson was a guest of the Arundel family in their stately home named Loxley Hall, in Staffordshire, where he spent much of his time writing whilst on ...
Youthful beauty and winning grace, [6] rejected love (in Switzerland), "glory of spring," heartsickness and the death of young maidens; [11] rusticity, healing, pensiveness [5] [4] Creeping Willow Love forsaken
The Seasons (most probably in its German translation [2]) was highly valued by Adam Mickiewicz [3] and has inspired him to write a poem, Konrad Wallenrod. [4] Goethe is also said to have liked the poem. [5] Acclaimed Lithuanian theatre director Eimuntas Nekrošius has adapted the first and third part of the piece to the performances Donelaitis ...
[4] [5] Mucha's panels also bear some resemblance to Japanese woodcuts. Indeed, Mucha was influenced by Japanese art, like many other 19th- and 20th-century European artists. [6] The female figures in Mucha's works were "entwined in vaporous hair and light dresses inspired by nature, such as willowy foliage," as well as adorned in extravagant ...
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The first lines of the Iliad Great Seal Script character for poetry, ancient China. Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings.