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8 AMAG: New hot rolling mill in Ranshofen puts AMAG in the top league. (No longer available online.) In: www.AMAG.at. AMAG, November 25, 2014, archived from the original on April 9, 2018; retrieved April 9, 2018. 9 AMAG: AMAG opens Europe's most modern aluminum cold rolling mill. In: www.AMAG.at. AMAG, June 23, 2017; retrieved April 9, 2018.
It was founded in 2005 by Hugh McGuire to provide "Acoustical liberation of books in the public domain" [2] and the LibriVox objective is "To make all books in the public domain available, for free, in audio format on the internet". [3] [independent source needed]
Strange Highways is a collection of 12 short stories and two novels by American author Dean Koontz, released in May 1995. [ 1 ] [ 2 ] Four of the stories are revised from their originals. A British edition of the book (without the novella Chase ) was previously issued by Headline in April 1995.
Night Chills is a suspense-horror novel by American writer Dean Koontz, originally published in 1976. It largely deals with the theme of mind control and is noted as one of Koontz's most graphic and violent works.
Dean Koontz's Frankenstein is the collective title of five novels co-written by Dean Koontz. Though technically of the mystery or thriller genres , the novels also feature the trappings of horror , fantasy , and science fiction .
Ticktock (1996) is a novel by Dean Koontz. It is significantly out-of-genre for Koontz: after a typical horror opening, the tone of the plot changes to screwball comedy [1] and the humour increases steadily to the end. The subplot of protagonist Tommy Phan's struggle to reconcile his family's tenacious hold on their Vietnamese roots with his ...
Deyan Audio has won four Grammy Awards [7] and been nominated eleven times, in addition to numerous Audie Awards, [8] ListenUp, Benjamin Franklin, and Earphone Awards. [ 9 ] Bob and Debra Deyan won the Lifetime Achievement Award in 2013 from the Audio Publishers Association , for their work in helping to pioneer the audiobook industry.
[4] [6] Swallow described the productions as a "halfway-house between a traditional talking book and a full-cast audio play", with music, sound effects taken from the television shows and dialogue spoken in the character's voice. [6] Shanks recorded "Gift of the Gods" in London. [7]