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The Ubisoft video game For Honor features the playable character "Zhanhu", based on the Jinyiwei. The drama Under the Power (Chinese: Jin Yi Zhi Xia), directed by Yi Tao, features the character Lu Yi, who is a Jinyiwei. The drama The Sleuth of the Ming Dynasty, produced by Jackie Chan, prominently features characters that are in the Jinyiwei.
Category: Ming dynasty in fiction. ... Television series set in the Ming dynasty (1 C, 34 P) Video games set in the Ming dynasty ...
During the Ming dynasty (1368–1644), brigandine began to supplant lamellar armour and was used to a great degree into the Qing dynasty (1644–1912). By the 19th century most Qing armour, which was of the brigandine type, were purely ceremonial, having kept the outer studs for aesthetic purposes, and omitted the protective metal plates.
Novelization of the cancelled game of the same name; incorporates elements of the game Tex Murphy: Overseer, itself largely a retelling of the first game, Mean Streets: The Dig: The Dig: Alan Dean Foster: ISBN 978-4073073598: Aspect The Lords of Midnight: The Lords of Midnight: Drew Wagar ISBN 978-1-912053-92-6 ISBN 978-1-912053-91-9: Fantastic ...
The late Ming and early Qing dynasty versions of these novels, however, included commentaries that were printed between the lines, so that the reader saw them as part of the text. These commentaries interpreted the text in often strained ways, but established critical and aesthetic criteria, modeled on those of poetry and painting, that gave ...
Illustrations of Fengshen Yanyi from an edition of the novel featuring commentary by Zhong Xing (1574-1625) (book one). The Investiture of the Gods, also known as Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì), is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty (1368–1644).
Pages in category "Video games set in the Ming dynasty" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes.
The writing style of the series of stories is written vernacular, or baihua, people's everyday language at that time. The 40 stories are divided into three sections, one section collects Song and Yuan dynasty tales, one collects Ming dynasty stories, and the last is the stories created by Feng Menglong himself.