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Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Media in category "Animals in art" This category contains only the following file. Faroe Coat of arms 3.png 294 × 293; 12 KB
The Chinese classic Book of Rites mentions the Vermillion Bird, Black Tortoise (Dark Warrior), Azure Dragon, and White Tiger as heraldic animals on war flags; [3] they were the names of asterisms associated with the four cardinal directions: South, North, East, and West, respectively.
"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva. Ordos culture, belt buckle, 3rd–1st century BC. Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs.
Kelvingrove Art Gallery and Museum is a museum and art gallery in Glasgow, Scotland, managed by Glasgow Museums. The building is located in Kelvingrove Park in the West End of the city, adjacent to Argyle Street. Kelvingrove Art Gallery and Museum is one of Scotland's most popular museums and free visitor attractions. [2]
The Animal Wall (Welsh: Wal yr Anifeiliaid) is a sculptured wall depicting 15 animals in the Castle Quarter of the city centre of Cardiff, Wales. It stands to the west of the entrance to Cardiff Castle , having been moved from its original position in front of the castle in the early 1930s.
Backside of Tibetan 25 tam banknote, dated 1659 of the Tibetan Era (= 1913 CE).On the right, the four harmonious animals are represented. A popular scene often found as wall paintings in Tibetan religious buildings represents an elephant standing under a fruit tree carrying a monkey, a hare and a bird (usually a partridge, but sometimes a grouse, and in Bhutan a hornbill) on top of each other ...