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Songs Inspired by Literature, Chapter Two: Larry Kenneth Potts: Nothing Like It in the World: Stephen Ambrose: Relates the story of "Poker" Alice Ivers [51] "The Ballad of Skip Wiley" Barometer Soup: Jimmy Buffett: Tourist Season: Carl Hiaasen: A song about the character Skip Wiley from Hiaasen's 1986 novel. [52] "Banana Co." Radiohead: One ...
An Appointment with Mr Yeats" by The Waterboys is an album of Yeats poems set to song. The poem "Down by the Salley Gardens" was based by Yeats on a fragment of a song he heard an old woman singing. Yeats' words have been recorded as a song by many performers. The song "A Bad Dream" by Keane is based on the poem "An Irish Airman Foresees His ...
The interpretation of literature: Author: Crawshaw, William Henry, 1861- [from old catalog] ... Recoded by LuraDocument PDF v2.53: Encrypted: no: Page size: 342 x 533 ...
Large sets of many individual character pieces, intended to be played as a single piece of music, were not uncommon; Schumann's many works of this form (including Kreisleriana and Carnaval) are the best known examples. In the late 19th and twentieth centuries, as piano music became ambitious and larger in scale, the scope of what a character ...
Eliot wrote "The Love Song of J. Alfred Prufrock" between February 1910 and July or August 1911. Shortly after arriving in England to attend Merton College, Oxford in 1914, Eliot was introduced to American expatriate poet Ezra Pound, who instantly deemed Eliot "worth watching" and aided the start of Eliot's career.
From the website, she chose the discussion on The Beatles's song, "I Am the Walrus", as an example, due to its cryptic lyrics. Barton quoted one of the comments from the website, which considered the song as a "philosophy of life", and that it was a song that was a prime example of one that "threw into disarray the import placed upon lyrics".
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]