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Khromka (Russian: хро́мка, khromka) is a type of Russian garmon (unisonoric diatonic button accordion). It is the most widespread variant in Russia and in the former USSR . Nearly all Russian garmons made since the mid of the 20th century are khromkas.
Chromatic button accordion; Classification: Free-reed aerophone: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than an accordion with a piano keyboard: five octaves plus a minor third (written range = E2-G7, actual range = E1-D9, some have a 32 ft Register on the Treble to go even lower down ...
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
Bayan; Classification: Free-reed aerophone: Hornbostel–Sachs classification: 412.132: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than accordions with a piano keyboard: five octaves, plus a minor third (written range = E2-G7, actual range = E1-C#8).
A melodeon or diatonic button accordion is a member of the free-reed aerophone family of musical instruments. It is a type of button accordion on which the melody -side keyboard contains one or more rows of buttons, with each row producing the notes of a single diatonic scale .
Opposite the Titano Accordion "quint" free bass system designed by Willard Palmer, Ariondo and the late Tommy Gumina are two artists in the United States that play a reverse "quint" free bass system (no converter, only free bass). Ariondo's "Perpetual Motion" video demonstrates the artistic capabilities of the free bass accordion .
There is also a chromatic version of the Steirische, with the same treble system as the regular chromatic accordion. This is referred to as a "Semi-chromatic" (polkromatična harmonika), a "Half-chromatic", or a "12-bass chromatic". The treble side therefore sounds the same note in either bellows direction.
The first diatonic button accordion was patented under the name 'Accordion' in 1829 by Cyril Demian. [2] [1] The same year, Charles Wheatstone made the first concertina. [2] The first chromatic button accordion was made by Franz Walther in 1850. [3] The name 'Accordion' is thought to originate from Akkord, the German word for chord.
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