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The Cage is a ballet choreographed by Jerome Robbins to Stravinsky's Concerto in D.The ballet depicts a tribe of female insects that preys on their male counterparts, in which the Novice falls in love with a male intruder, before being overcome by her animal instincts to kill him.
The Goldberg Variations is a ballet choreographed by Jerome Robbins to Bach's Goldberg Variations.A plotless ballet, it starts with two performers dancing to the Theme, followed by the variations divided into two parts, with variations repeated as Bach had intended in the score.
In 1940, Jerome Robbins made a parody of the Nijinsky ballet, titled PM of a Faun. [2]: 47 In 1948, Robbins joined the New York City Ballet soon after it was founded, as both a dancer and choreographer. [3] For New York City Ballet's 1953 season, Robbins decided to choreograph to the Debussy score. [4]
Jerome Robbins (born Jerome Wilson Rabinowitz; October 11, 1918 – July 29, 1998) was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television.
West Side Story Suite is a ballet suite choreographed by Jerome Robbins.Robbins conceived, directed and choreographed the 1957 musical West Side Story, then co-directed its 1961 film adaptation, before including parts of the choreography in the anthology Jerome Robbins' Broadway.
Other Dances is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin.It was created on Natalia Makarova and Mikhail Baryshnikov, and premiered on May 9, 1976, at a gala benefitting the New York Public Library for the Performing Arts, held at Metropolitan Opera House.
Glass Pieces is a ballet choreographed by Jerome Robbins to music by Philip Glass, costumes designed by Ben Benson, lighting designed by Ronald Bates and production designed by Robbins and Bates. The ballet was premiered on May 12, 1983, at the New York State Theater , performed by the New York City Ballet .
Watermill is a ballet choreographed by Jerome Robbins when he was balletmaster at the New York City Ballet and set to a musical piece written a year earlier by Teiji Ito (also entitled “Watermill”), with costumes by Patricia Zipprodt, lighting by Jennifer Tipton and décor by Robbins in association with Davie Reppa.