Search results
Results from the WOW.Com Content Network
"Into the Blue" is a song by Australian artist Kylie Minogue. It was written by Kelly Sheehan , Jacob Kasher, and Mike Del Rio and produced by the latter for Minogue's twelfth studio album, Kiss Me Once (2014).
"Into the Blue" is a song by American electronica musician Moby, released on June 19, 1995 by Mute Records, as the fourth single from his third studio album, Everything Is Wrong (1995). American musician Mimi Goese co-wrote the lyrics with Moby and provided the vocals.
Into the Blue (Monique Brumby album), 2006; Into the Blue (The Joy Formidable album), 2021; Into the Blue (Broken Bells album), 2022 "Into the Blue" (Kylie Minogue song), 2014 "Into the Blue" (Moby song), 1995 "Into the Blue", a song by The Mission from the album Carved in Sand, 1990 "Into the Blue", a song by Geneva from the album Further, 1997
Into the Blue was met with generally favorable reviews from listeners and music critics.At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 75, based on 7 reviews. [8]
The lyrics of the song, particularly the line "out of the blue and into the black", are an epigraph and are also featured prominently in Stephen King's novel It. [15] The line, "It's better to burn out than to fade away", was included in Nirvana frontman Kurt Cobain's suicide note in 1994. [16]
Into the Blue is the fifth studio album by the Welsh rock band The Joy Formidable.It was initially released on 20 August 2021, [1] and was reissued in a deluxe edition with two additional songs on 14 September 2022. [2]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The opening track, "Turn To Stone", was described by Donald A. Guarisco as "a good example of Electric Light Orchestra's skill for mixing string-laden pop hooks with driving rock and roll", praising the "array of swirling string lines that dart in and out of the mix and some dazzling falsetto harmonies that interact with Lynne's lead vocal in call and response style". [8]