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  2. Delay (audio effect) - Wikipedia

    en.wikipedia.org/wiki/Delay_(audio_effect)

    Flanging, chorus and reverb are all delay-based sound effects. With flanging and chorus, the delay time is very short and usually modulated. [36] With reverberation, there are multiple delays and feedback so that individual echoes are blurred together, recreating the sound of an acoustic space.

  3. Roland D-70 - Wikipedia

    en.wikipedia.org/wiki/Roland_D-70

    There are six reverbs (Room 1–3, Hall 1 & 2 and Gated), delay and cross-delay, and one effect from Chorus 1 & 2, FB-Chorus, Flanger and Short Delay in another effect. There are just three reverb / delay parameters: reverb/delay time and level and delay feedback. Chorus / flanger allows you to set level, delay, rate, depth and feedback. [9]

  4. Automatic double tracking - Wikipedia

    en.wikipedia.org/wiki/Automatic_double_tracking

    A similar technique to ADT is doubling echo, which uses short delays to mimic the double-tracking effect. Many effects units were developed to produce similar sounds, such as chorus , flangers , and phasers , all of which use an oscillating delay (or, in the phaser, a variable phase network).

  5. Roland Space Echo - Wikipedia

    en.wikipedia.org/wiki/Roland_Space_Echo

    In 1973, Roland released the RE-100 and RE-200 tape delay units, which used a short 1/4" tape loop. [1] In 1974, Roland released the first Space Echo units in two models: the RE-101 and the RE-201, which also included spring reverb. [1] Instead of the tape reel used in previous tape echo units, the Space Echo uses a free-running tape transport ...

  6. Watkins Copicat - Wikipedia

    en.wikipedia.org/wiki/Watkins_Copicat

    The Watkins Copicat is an effects unit that produces tape delay and reverb effects. One of the first commercially available tape delay units, [1] the original Copicat model was produced by Watkins Electric Music beginning in 1958. The Copicat became one of Watkins' most successful products, and the company produced various Copicat models and ...

  7. Reverb effect - Wikipedia

    en.wikipedia.org/wiki/Reverb_effect

    Digital reverb units simulate reverb by using multiple delay lines with fading trails, giving the impression of sound bouncing off surfaces. Some digital effects allow users to independently adjust early and late reflections. [2] Digital reverb was introduced in 1976 by EMT with the EMT 250, [2] and became popular in the 1980s. [1]

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  9. Sytrus - Wikipedia

    en.wikipedia.org/wiki/Sytrus

    Sytrus uses a combination of subtractive synthesis, additive synthesis, FM synthesis and ring modulation, thus allowing sounds produced to range from drum sets to organs.. Sytrus provides a large number of adjustments and controls, including shape shifting, harmonics editing, EQ, a modulator (which can control almost any parameter), several filters, reverb, delay, unison, detune, etc. CPU ...

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