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An anapodoton (from Ancient Greek ἀναπόδοτον anapódoton: "that which lacks an apodosis, that is, the consequential clause in a conditional sentence), plural anapodota, is a rhetorical device related to the anacoluthon; both involve a thought being interrupted or discontinued before it is fully expressed. It is a figure of speech or ...
An incomplete sentence, or sentence fragment, is a set of words that does not form a complete sentence, either because it does not express a complete thought or because it lacks some grammatical element, such as a subject or a verb. [6] [7] A dependent clause without an independent clause is an example of an incomplete sentence.
Shows that a sentence can be paradoxical even if it is not self-referring and does not use demonstratives or indexicals. Yablo's paradox: An ordered infinite sequence of sentences, each of which says that all following sentences are false. While constructed to avoid self-reference, there is no consensus whether it relies on self-reference or not.
Meaning flows as the lines progress, and the reader's eye is forced to go on to the next sentence. It can also make the reader feel uncomfortable or the poem feel like "flow-of-thought" with a sensation of urgency or disorder. In contrast, the following lines from Romeo and Juliet (c. 1595) are completely end-stopped:
Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation. Epigraph : a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem.
In English literature, Jane Austen provides perhaps the finest examples of periodic sentences. The opening sentence of Pride and Prejudice - "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife" - pierces to the heart of Mrs Bennet's character as well as the very difficult social ...
Byzantine Egyptian papyrus fragment. A literary fragment is a piece of text that may be part of a larger work, or that employs a 'fragmentary' form characterised by physical features such as short paragraphs or sentences separated by white space, and thematic features such as discontinuity, ambivalence, ambiguity, or lack of a traditional narrative structure.
For example, if the writer wanted to rewrite the above examples, he could write: Bells rang. Their resonance filled the air with clangor, startling pigeons into flight from every belfry. Upon hearing the sounds, the townspeople rushed into the streets. They all stood in silence and awaited the news. She drove to the movies.