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The distinction between songs, hymns and poetry in ancient Egyptian texts is not always clear. The convention is to treat as songs those poetic texts which are depicted with musical instruments. If the songs are seen to have a clear connection with temple cults and festivals then they are commonly described as hymns. [5]
John Payne - The Book of the Thousand Nights and One Night (unexpurgated) (1882–84) Edward Powys Mathers based on J. C. Mardrus in 4 volumes (1923) Malcolm C. Lyons and Ursula Lyons - The Arabian Nights: Tales of 1001 Nights published by Penguin Books based on the Macnaghten or Calcutta II edition (Egyptian recension) in 10 volumes (2008)
Two main Arabic manuscript traditions of the Nights are known: the Syrian and the Egyptian. The Syrian tradition is primarily represented by the earliest extensive manuscript of the Nights, a fourteenth- or fifteenth-century Syrian manuscript now known as the Galland Manuscript. It and surviving copies of it are much shorter and include fewer ...
The Cairo Geniza, alternatively spelled the Cairo Genizah, is a collection of some 400,000 [1] Jewish manuscript fragments and Fatimid administrative documents that were kept in the genizah or storeroom of the Ben Ezra Synagogue in Fustat or Old Cairo, Egypt. [2] These manuscripts span the entire period of Middle-Eastern, North African, and ...
The most complete manuscript with 5 leaves comprising Abraham 1:1–2:18. William W. Phelps and Warren Parrish: July–November 1835: 1 Book of Abraham Manuscript and Explanation of Facsimile I [34] 29 cm × 19 cm (11.4 in × 7.5 in) Written in Nauvoo, 13 leaves comprising Abraham 1:1–2:18. Willard Richards: February 1842: Explanation of ...
Christine Chism summarises the uncertain origins of the story, from tenth-century Iran to thirteenth-century Egypt. [2] The tenth-century CE Ibn al-Nadīm's famed catalogue of Arabic books, the Kitāb al-Fihrist, includes a chapter on 'the names of fables known by nickname, nothing more than that being known about them', among which al-Nadīm lists 'The Philosopher Who Paid Attention to the ...
El Leila El Kebira (الليلة الكبيرة) (The Grand Night or The Big Night) is a 1961 Egyptian puppet-operetta that was written by poet Salah Jahin with the music composed by Sayed Mekawy. Approximately 40-minutes in length, it formed a big part of the Egyptian folklore due to its expressive and funny depiction of the moulid and has ...
The ancient Egyptian Night hieroglyph, Gardiner sign listed nos. N3 is a portrayal of the sky with the 'was' scepter hanging from it; it is in the Gardiner subset for "sky, earth, and water". In the Egyptian language , the night hieroglyph is used as a determinative for words relating to 'obscurity'.