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A sense of responsibility led him to hard and prolific work, [2] and one of the results of his activity was the String Sextet. Dvořák's German publisher Simrock offered the work to his friend and collaborator Joseph Joachim (famous violinist and leader of a string quartet), and he together with other artists performed the work privately on 19 ...
Among the earliest works in this form are the nine string sextets Op. 23 by Luigi Boccherini, written in 1776.Other notable string sextets include the String Sextets Op. 18 and 36 by Brahms, Dvořák's Op. 48, Tchaikovsky Souvenir de Florence, Op. 70, Schoenberg's Verklärte Nacht, Op. 4, Erich Wolfgang Korngold Op. 10, Erwin Schulhoff's String Sextet of 1924, and Charles Wuorinen's String ...
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Symfonie č. 9 e moll „Z nového světa“ Symphony No. 9 in E minor "From the New World" orchestra 179: 96: 1893: Smyčcový kvartet č. 12 F dur „Americký“ String Quartet No. 12 in F major "American" 2 violins, viola and cello: 180: 97: 1893: Smyčcový kvintet č. 3 Es dur „Americký“ String Quintet No. 3 in E ♭ major "American"
Herbert, Peter J. F.; Trufitt, Ian T. Antonin Dvořák complete catalogue of works, (The Dvořák Society occasional publications no. 4), 4th revised edition, 2004.The Dvořák Society for Czech and Slovak Music. pp. 30–31.
Op.50: String Sextet No.2 in D Major, 2011 critical Urtext-Edition by Pfefferkorn Music Publishers (Leipzig) Op.51: String Quintet No.2 in C Major (2 Vln, 2 Vla & Vc) Op.53: Piano Trio No.3 in E Flat Major [The German National Library and Audite site list this work as being in D major, while IMSLP says E♭ major.]
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
The first movement, in C major, is not in the usual sonata form of a first movement, but in ternary form: there is a lyrical opening theme, with an energetic moment; a central part based on the energetic moment heard earlier; the opening theme briefly returns.