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The tapestries were owned by the La Rochefoucauld family of France for several centuries, with first mention of them showing up in the family's 1728 inventory. At that time five of the tapestries were hanging in a bedroom in the family's Château de Verteuil, Charente and two were stored in a hall adjacent to the chapel. The tapestries were ...
Tapestry Room from Croome Court, ... The Chinese kesi is a tapestry weave, normally using silk on a small scale compared to European wall-hangings. Clothing for the ...
Bed hangings provided privacy when the master or great bed was in a public room, such as the parlor, but also showed evidence of wealth when beds were located in areas of the home where . They also kept warmth in, and were a way of showing one's wealth. When bedrooms became more common in the mid-1700s, the use of bed hangings diminished.
Embroidered hangings such as this were used like woven tapestries, lining the walls of a room with decorative, narrative scenes, and bringing the country or garden inside the house. Despite their large scale they manage to convey a sense of intimacy in their celebration of private family pleasures.
The 1728 inventory recorded five of The Hunt of the Unicorn tapestries hanging in the château's master bedroom. The tapestries, which were then well over two hundred years old, were almost half worn out. Two more of the tapestries were in "a large lower hall near the chapel, presently serving as a storage place for furniture". They were ...
A cabinet room for James VI at Stirling Castle, a small space next to king's bedchamber in the palace, was also finished in green. [120] The wealthy merchant John Clerk settled at Newbiggin House at Penicuik, and in 1665 ordered striped wall hangings from a weaver working in Edinburgh's Canongate, James Crommie or Crombie. Clerk had some ...
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