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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Chen Chong Swee (simplified Chinese: 陈宗瑞; traditional Chinese: 陳宗瑞; pinyin: Chén Zōng Ruì) was a Singaporean watercolourist belonging to the pioneer generation of artists espousing the Nanyang-styled painting unique to Singapore, at the turn of the 20th century.
Lim Tze Peng (Chinese: 林子平; pinyin: Lín Zǐpíng; Pe̍h-ōe-jī: Lîm Tsí-pîng, 28 September 1921 – 3 February 2025) was a Singaporean artist.He was awarded a Cultural Medallion in 2003 in recognition of his contribution to the country's art and culture.
The collection of Chinese materials mainly included bronzes, jade ceramics and classical paintings, collectively represent the vast and rich history of Chinese art. In 1980, when National University of Singapore was formed, the collection was combined with the former University of Singapore collection.
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
Tang Da Wu (Chinese: 唐大雾; pinyin: Táng Dàwù, pronounced [tʰɑ̌ŋ tâ.û]; born 1943) is a Singaporean artist who works in a variety of media, including drawing, painting, sculpture, installation art and performance art.
Chua Mia Tee, National Language Class, 1959, Oil on canvas, 112 x 153 cm, Installation view at National Gallery Singapore Chua Mia Tee (Chinese: 蔡名智; pinyin: Cài Míngzhì; [1] born 25 November 1931) is a Chinese-born Singaporean artist known for his social realist oil paintings capturing the social and political conditions of Singapore and Malaya in the 1950s and 60s.
Cheong Soo Pieng (simplified Chinese: 钟泗宾; traditional Chinese: 鍾泗賓; pinyin: Zhōng Sì Bīn; Pe̍h-ōe-jī: Tsing Sì-pin) was a Singaporean artist who was a pioneer of the Nanyang art style, and a driving force to the development of Modernism in visual art in the early 20th-century Singapore.
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