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"Bye, Bye, Baby (Baby, Goodbye)" is a popular song written by Bob Crewe and Bob Gaudio (a member of The Four Seasons). The Four Seasons' version of the song made it to No. 1 in Canada [1] and No. 12 on the US Billboard Hot 100 in 1965. [2] On the original issue of the single, the title was "Bye Bye Baby". However, on the album, The 4 Seasons ...
"Bye Bye Baby", a song written by American Frank McNulty and sung by Australian Col Joye in 1959 "Bye Bye Baby" (Mary Wells song), 1960 debut single by Motown singer Mary Wells Bye Bye Baby I Don't Want to Take a Chance, her 1961 album "Bye, Bye, Baby (Baby Goodbye)", a 1965 song performed by The Four Seasons and later covered by the Bay City ...
"Big Girls Don't Cry" is a song written by Bob Crewe and Bob Gaudio and originally recorded by the Four Seasons. It hit number one on the Billboard Hot 100 on November 17, 1962, and, like its predecessor "Sherry", spent five weeks in the top position but never ranked in the Billboard year-end charts of 1962 or 1963.
Born in Newark in 1930 [1] and raised in Belleville, New Jersey, Crewe demonstrated an early and apparent gift for both art and music. [citation needed] Although lacking in formal musical training, he gravitated to learning from many of the great 19th- and 20th-century classical romantic composers as well as giants of jazz and swing, including Stan Kenton, Harry James, Duke Ellington, Benny ...
The Four Seasons Charles Calello: 36 - - "That's the Only Way" The Four Seasons Bob Boulanger: 88 - - 1964 "Navy Blue" Diane Renay: Bud Rehak, Eddie Rambeau: 6 - - "Ronnie" The Four Seasons Bob Gaudio: 6 - - "Across the Street" Lenny O'Henry: Charles Calello, Valmond Harris: 98 - - "Rag Doll" The Four Seasons Bob Gaudio: 1 - 2 "Silence is ...
Big Girls Don't Cry (The Four Seasons song) Big Man in Town; Breakfast Alone; Bye, Bye, Baby (Baby Goodbye) C. Can't Take My Eyes Off You; Ces soirées-là ...
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The Genuine Imitation Life Gazette is a 1969 album by American rock band the Four Seasons.Member Bob Gaudio teamed up with Jake Holmes to create a psychedelic concept album which adjusted the band's stylings to the changing times of the late 1960s. [3]