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The plain style origins of Shaker furniture connect back to the craft traditions of colonial New York and New England. The furniture brought into early Shaker society were the humble possessions of common people of the day such as farmers, mechanics, and small tradesman. In the 1790s, the total membership of the United Society totaled one thousand.
Otis extensively remodeled the house in 1806 by adding ten feet to the west of the original structure, creating a sixth bay. This new section expanded the front parlor, and gave Otis a small office for his practice. The house remained unchanged until the mid-late 20th century when porches were added along with interior alterations to the house ...
The Cape Cod style homes were a common home in the early 17th of New England colonists, these homes featured a simple, rectangular shape commonly used by colonists. [3] Dutch Colonial structures, built primarily in the Hudson River Valley, Long Island, and northern New Jersey, reflected construction styles from Holland and Flanders and used ...
The Queen Anne style began to evolve during the reign of William III of England (1689-1702), [6] but the term predominantly describes decorative styles from the mid-1720s to around 1760, although Queen Anne reigned earlier (1702-1714). [4] [7] "The name 'Queen Anne' was first applied to the style more than a century after it was fashionable."
The interior of the house reflects the Eastlake style in the mantel spindles, the ornate tile work surrounding the two fireplaces, 12-foot second story coved ceilings and other details. The wall cladding in the main house is a horizontal shiplap with vertical lapboard.
The academic collaboration between The New England School of Art & Design and Suffolk University began in 1988 with an articulation agreement, allowing art and design students to enroll in Suffolk courses. The following year joint Bachelor of Fine Arts degrees were offered in Fine Arts, Graphic Design and Interior Design.
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