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The Pilgrim's Progress from This World, to That Which Is to Come is a 1678 Christian allegory written by John Bunyan.It is commonly regarded as one of the most significant works of Protestant devotional literature and of wider early modern English literature.
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Job is a 1939 Australian radio play by Edmund Barclay performed on the Australian Broadcasting Commission.It is an adaptation of the Book of Job.. It was one of a series of adaptations Barclay did on older works - others included Pilgrim's Progress, Crime and Punishment, The Idiot and The Wild Ass's Skin.
A version was filmed for Australian TV in 1964. 1917 Jan 5 Los Angeles Evening Express ad for world premiere of The Play of Everyman by Sterling. Another well-known version of the play is Jedermann by the Austrian playwright Hugo von Hofmannsthal, which has been performed annually at the Salzburg Festival since 1920, [15] and adapted into film ...
The Innocents Abroad, or The New Pilgrim's Progress is a travel book by American author Mark Twain. [2] Published in 1869, it humorously chronicles what Twain called his "Great Pleasure Excursion" on board the chartered steamship Quaker City (formerly USS Quaker City) through Europe and the Holy Land with a group of American travelers in 1867.
Hawthorne's story makes several references to the original The Pilgrim's Progress. Evangelist, who first directs Christian on his journey, is updated to a worker at the train station's ticket office. Apollyon, leader of the city of Destruction who fights a battle with Christian in the Valley of Humiliation, has become chief conductor.
The Pilgrim's Progress: The Third Part is a pseudepigraphic sequel to John Bunyan's 1678 novel The Pilgrim's Progress, written by an anonymous author. It was published with Bunyan's work in editions from 1693 to 1852 because it was believed to be written by Bunyan. [1] It presents the pilgrimage of Tender-Conscience and his companions.
The Pilgrim's Progress is an opera by Ralph Vaughan Williams, based on John Bunyan's 1678 allegory The Pilgrim's Progress. The composer himself described the work as a 'Morality' rather than an opera. Nonetheless, he intended the work to be performed on stage, rather than in a church or cathedral.
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