Search results
Results from the WOW.Com Content Network
Preliminary motion control photography tests were conducted at Tippett Studio during pre-production. The process allowed for consistent and repetitive automated camera movements that would be essential for the addition of CGI elements in post-production, and it was important the cameras accurately recorded metadata such as the time of day, angle of light, and camera position.
Light fixtures may also have other features, such as reflectors for directing the light, an aperture (with or without a lens), an outer shell or housing for lamp alignment and protection, an electrical ballast or power supply, and a shade to diffuse the light or direct it towards a workspace (e.g., a desk lamp).
Alternatively, a tally light can be a separate device mounted on the camera body, lens, or tripod, but not connected to the camera electronically. In some (mainly non-studio) cameras, the tally light is implemented as a special UI element displayed on the screen (e.g. red outline around the frame).
This is compounded by a failure mode of street lights, known as "cycling", in which street lights of the high pressure sodium type turn off and on more frequently at the end of their life cycle. [5] A high pressure sodium engineer at General Electric, quoted by Cecil Adams, summarizes SLI as "a combination of coincidence and wishful thinking". [5]
It is typically a floor lamp but may be wall-mounted like a sconce. Further interior light fixtures include chandeliers, pendant lights, ceiling fans with lights, close-to-ceiling or flush lights, and various types of lamps [15] The portable or table lamp is probably the most common fixture, found in many homes and offices. The standard lamp ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
Split lighting, where the main light is placed off to the side of the subject at about 90 degrees and positioned at face height or slightly above. The subject looks straight on at the camera. Rembrandt lighting, which entails a contrast of dramatic lighting coming from the top and the side, thus giving specific light spot on the other cheek.