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The African rose-ringed parakeet (Psittacula krameri krameri), a subspecies of the rose-ringed parakeet, can also talk, but some may never learn if not trained at an early age. [26] The Indian rose-ringed parakeet ( Psittacula krameri manillensis ), another subspecies of the rose-ringed parakeet, is an accomplished talker and popular pet which ...
By contrast, Paul Mariani in his biography of Stevens has referred to the poem as among the 'darkest' among the poet's criticisms of religion. [2] For Mariani, "A parakeet of parakeets" is an allusion to the biblical reference to the divine as a "spirit of spirits", adopting the metaphor as a diminution of form and importance.
Longfellow wrote the poem in 1875. It was included in an anthology he edited titled Poems of Places in 1877 and also republished after his death in Through Italy with the Poets in 1908. [1] According to scholar William Charvat, the poem is like many of Longfellow's later writings in that it touches upon the poet's struggle with fame.
Within Sufism, the language of birds is a mystical divine language. The Conference of the Birds is a mystical poem of 4647 verses by the 12th century Persian poet Attar of Nishapur. [7] In the Jerusalem Talmud, Solomon's proverbial wisdom was due to his being granted understanding of the language of birds by God. [8]
In "Birds and Fishes", the poet is ironic when he anthropomorphizes the feasting birds and attributes sins and hysteria to their behavior. [4] Robert Zaller writes that "in the first part of 'Birds and Fishes', Jeffers almost presents a satiric account of what nature would look like if seen in terms of human behavior". [ 5 ]
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Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life. In the poem, Keats imagines the loss of the physical world and sees himself dead—as a "sod" over which the nightingale sings. The ...
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