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The mandala is "a support for the meditating person", [18] something to be repeatedly contemplated to the point of saturation, such that the image of the mandala becomes fully internalised in even the minutest detail and can then be summoned and contemplated at will as a clear and vivid visualized image.
Contour drawing – Chiaroscuro – using strong contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects such as the human body. Gesture Drawing - loose drawing or sketching with the wrists moving, to create a sense of naturalism of the line or shape, as opposed to geometric or mechanical drawing ...
Many sand mandala contain a specific outer locality which is clearly identified as a charnel ground. The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ocher, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink.
The drawing of figures is based on Nepalese style and the background sceneries are based on Chinese style. Thus, the thangka paintings became a unique and distinctive art. Although the practice of thanka painting was originally done as a way of gaining merit it has nowadays evolved into a commercial business and the noble intentions it once ...
The Mandala of the Two Realms (Traditional Chinese: 両界曼荼羅; Pinyin: Liǎngjiè màntúluó; Rōmaji: Ryōkai mandara), also known as the Mandala of the Two Divisions (Traditional Chinese: 両部曼荼羅; Pinyin: Liǎngbù màntúluó; Rōmaji: Ryōbu mandara), is a set of two mandalas depicting both the Five Wisdom Buddhas of the Diamond Realm as well as the Five Wisdom Kings of the ...
Traditionally kolams are drawn on the flat surface of the ground with white rice flour. [citation needed] The drawings get walked on throughout the day, washed out in the rain, or blown around in the wind; new ones are made the next day. Each morning before sunrise, the front entrance of the house, or wherever the kolam may be drawn, is swept ...
The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati , the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center.