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The melody arranged by Ongaku Torishirabe-gakari was included in Collection of Japanese Koto Music issued in 1888, for beginning koto students in the Tokyo Academy of Music. [4] Often, It is the first piece that koto beginners learn because they can play any phrase by picking closer strings without skipping to distant strings. [2]
for voice and piano: Japanese folk song Vocal: 1983: 島へ: To the Island (Shima e) for voice and piano: words by Mitsuru Izawa: Vocal: 1985: 明日ハ晴レカナ、曇リカナ: Will Tomorrow, I Wonder, Be Cloudy or Clear? (Ashita wa hare kana, kumori kana) for voice and piano: words by the composer Vocal: 1985: ぽつねん: All Alone ...
In scale on D with auxiliary notes (F) & (C). 1-b2-(b3)-4-5-b6-(b7) Play ⓘ. More recent theory [ 2 ] emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the miyako-bushi scale used in koto and shamisen music and whose ...
A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
The yo scale is a pentatonic scale used in much Japanese music including gagaku and shomyo. [1] It is similar to the Dorian, but does not contain minor notes. The yo scale is used specifically in folk songs and early popular songs and is contrasted with the in scale which does contain minor notes. [2]
3. Prince. Like many people on this list, Prince made up for not being able to read sheet music by having an unusually good ear for melody and an intuitive sense of what chord should go where. He ...
The ritsu scale is the voice of the male phoenix, yang, being, the voice that ascends from above and is inhaled breath, emerging from the ki while the ryo scale is the voice of the female phoenix, yin, nothingness, the voice that ascends from below and is exhaled breath, emerging from the breath; probably indicating that ritsu is vertical and ryo is horizontal.
The Akebono scale is a musical scale commonly used in traditional Japanese music. Akebono and the Diatonic scale use the same intervals, but Akebono has no fixed tonic; as such, any Akebono note can be the tonic. The 1891 Transactions of the Asiatic Society of Japan describes the scale:
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