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According to Austin, in order to successfully perform an illocutionary act, certain conditions have to be met (e.g. a person who pronounces a marriage must be authorized to do so). [1]: 8 Besides the context, the performative utterance itself is unambiguous as well. The words of an illocutionary act have to be expressed in earnest; if not ...
Austin was born in Lancaster, Lancashire, England, the second son of Geoffrey Langshaw Austin (1884–1971), an architect, and Mary Hutton Bowes-Wilson (1883–1948; née Wilson).
The notion of an illocutionary act is closely connected with Austin's doctrine of the so-called 'performative' and 'constative utterances': an utterance is "performative" if, and only if it is issued in the course of the "doing of an action" (1975, 5), by which, again, Austin means the performance of an illocutionary act (Austin 1975, 6 n2, 133).
Performativity is the concept that language can function as a form of social action and have the effect of change. [1] The concept has multiple applications in diverse fields such as anthropology, social and cultural geography, economics, gender studies (social construction of gender), law, linguistics, performance studies, history, management studies and philosophy.
It was suggested by the British philosopher of language J. L. Austin in 1955 in the lectures now known as How to Do Things With Words. Austin argued that performative utterances are not meaningfully evaluated as true or false but rather by other measures, which would hold that a statement such as "thank you" is not meant to describe a fact and ...
In these typical, rather explicit cases of performative sentences, the action that the sentence describes (nominating, sentencing, promising) is performed by the utterance of the sentence itself. J.L. Austin claimed that performative sentences could be "happy or unhappy". They were only happy if the speaker does the actions he or she talks about.
Donald Trump's performative patriotism, including his recent visit to Arlington National Cemetery, ...
In his thinking, a performative utterance is neither true nor false, but can instead be deemed felicitous or infelicitous according to a set of conditions whose interpretation differs depending on whether the utterance in question is a declaration ("I sentence you to death"), a request ("I ask that you stop doing that") or a warning ("I warn ...