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Mortified, Michele makes his escape into the night, but not before wishing the costume would make him invisible. He later discovers his wish has come true. At first he uses his power to get his own back on the bullies and to spy on his female classmates in their underwear in the changing room.
Vedo nudo (internationally released as I See Naked) is a 1969 Italian anthology comedy film directed by Dino Risi. All the episodes have sex as main theme and all star Nino Manfredi, who plays seven different characters. [1] The film represents the last collaboration between Manfredi and Risi, after Operazione San Gennaro and Straziami ma di ...
Banned right after screening the film in cinemas, after criticism over scenes deemed sexually provocative. The movie was criticized for copying Giuseppe Tornatore's movie Malèna (2000) starring Italian actress Monica Bellucci. [142] [143] 2014 Exodus: Gods and Kings: Banned for historical inaccuracies and showing history from a Zionist ...
La seduzione, internationally released as Seduction, is a 1973 Italian erotic film, directed by Fernando Di Leo and based on the novel Graziella by Ercole Patti. [1]
Doctor Nicola Pischella is an unrepentant womanizer who systematically cheats on his jealous wife Lucia between visits to his dental office. Things get complicated when the old and weird Saverio, Lucia's uncle, arrives at the Pischella house, who says he is ill and now close to death.
The uncut version of this nunsploitation film by Walerian Borowczyk features hardcore scene of female masturbation by a wooden dildo [152] [153] with the face of Christ painted on one end of it; "the most graphic sexual scene in the film and what makes the film infamous". [154] Italian Blue Movie
Going home, he starts trying his newfound skills on Emanuela, but they are interrupted and he hides in Gabriele's room. There he finds the photographs and negatives of Laura, which he takes to her. They confront Gabriele, who sees that his plot has failed, and Laura rewards her saviour with a long night together.
In his book on Italian gialli, Troy Howarth described the film as belonging to the trend of "sexy-trashy gialli" opposed to burgeoning films influenced by the films of Dario Argento. [1] Film historian Roberto Curti echoed this statement, that along with Amadio's Smile Before Death (1972) were variations on the erotic gialli of the late-1960s.