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The song went on to win the 1996 Awit Award for Best Produced Record of the Year, and the 1996 NU 107 Rock Award for Song of the Year.. After Magalona's death, the song was the one used in many of the tributes to the artist, including an audio-visual has been paid presentation from Eat Bulaga!, the noontime variety program of which Magalona was a co-host, and a short rendering of the song ...
Kaleidoscope World may refer to: Kaleidoscope World (The Chills album) "Kaleidoscope World" (The Chills song), 1982 single by The Chills; Kaleidoscope World (Swing Out Sister album) "Kaleidoscope World" (Francis Magalona song) Kaleidoscope World (film), a 2013 Philippine hip hop musical dance film
Francis Michael Durango Magalona was born on October 4, 1964. He was named after Saint Francis of Assisi, whose feast day falls on his birthday. [2] He was the eighth of the nine children of actors Pancho Magalona and Tita Duran, popular film stars of the 1940s and 1950s. [3]
The album was released again in 2017 on 180-gram "tangerine" orange vinyl to commemorate the album's 50th Anniversary. This pressing was a limited run of 1,000 copies hand-marked by the band and included a digital download code, along with a bonus 45rpm single featuring the earliest recordings of "Kaleidoscope" and "A Dream for Julie"
"Mister Meadowlark" (lyrics by Johnny Mercer) "My Baby Just Cares for Me" (lyrics by Gus Kahn) "My Blue Heaven" (lyrics by George A. Whiting) "My Buddy" (lyrics by Gus Kahn) "My Heart and I Decided" "My Little Bimbo Down on a Bamboo Isle" (lyrics by Grant Clarke) "My Mammy" (lyrics by Sam M. Lewis and Joe Young) (a huge hit for Al Jolson)
The song was demoed by Siouxsie Sioux and Steven Severin at Warner Chappell studios. It was then recorded as a trio, with Severin on synthesisers, Siouxsie on vocals and Budgie on drums. [1]
Faintly Blowing is Kaleidoscope's second studio album released by Fontana Records in April 1969.. Though not as popular as the U.S. Kaleidoscope, this British band was also a band from the psychedelic movement with moderate domestic success, and just enough international exposure to have this album recognized in the genre's catalogue and regarded as one of the best in the same.
The Monthly Film Bulletin wrote: "'Warning enough of what is to come, one would think, in the way Kaleidoscope is advertised. A "groovie movie" it certainly is, with a battery of fashionable camera tricks, multicoloured, kaleidoscopic dissolves, and virtually every scene introduced from behind an irrelevant piece of furniture in the set.