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For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). [3]
The three phases of the magnum opus: nigredo, albedo and rubedo. (from Pretiosissimum Donum Dei, published by Georges Aurach in 1475). Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. [1]
The squared circle: an alchemical symbol (17th century) illustrating the interplay of the four elements of matter symbolising the philosopher's stone. Antimony ♁ (in Newton), also ; Arsenic 🜺 Bismuth ♆ (in Newton), 🜘 (in Bergman) Cobalt (approximately 🜶) (in Bergman) Manganese (in Bergman)
In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition , attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as ...
Flamel has been portrayed in popular fiction as a legendary figure who holds the key to immortality or the philosopher's stone. In Victor Hugo's novel Notre Dame de Paris (1831), the tragic main character Claude Frollo is a young priest and alchemist who spends much of his time studying the carvings in Les Innocents, trying to fathom Flamel's ...
Multiplication is the process in Western alchemy used to increase the potency of the philosopher's stone, elixir or projection powder. It occurs near the end of the magnum opus in order to increase the gains in the subsequent projection. George Ripley gives the following definition of multiplication: [1]
In alchemy and philosophy, prima materia, materia prima or first matter (for a philosophical exposition refer to: Prime Matter), is the ubiquitous starting material required for the alchemical magnum opus and the creation of the philosopher's stone. It is the primitive formless base of all matter similar to chaos, the quintessence or aether.
Alchemy was a series of practices that combined philosophical, magical, and chemical experimentation. One goal of European alchemists was to create what was known as the Philosopher’s Stone, a substance that when heated and combined with a non precious metal like copper or iron (known as the “base”) would turn into gold.