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Bob Mould's star on the outside mural of the Minneapolis nightclub First Avenue. Mould's song "Dog on Fire" is the theme song for The Daily Show. He originally wrote the track for his third solo album, but cut it as redundant. The name was picked by mastering engineer Jim Wilson from an offhand comment Mould made in an interview.
Silver Age is the tenth solo album from former Hüsker Dü and Sugar frontman Bob Mould.Mould was joined on bass by Jason Narducy and on drums by Superchunk's Jon Wurster.. For the release of Silver Age, the trio embarked on a series of concerts where, in addition to material from the new album and a few Hüsker Dü songs, they played the entirety of Sugar's Copper Blue in order.
The members of Hüsker Dü first performed together when Grant Hart, Bob Mould, Greg Norton, and keyboardist Charlie Pine began playing in January 1979. [2] At the time, Mould was a freshman at Macalester College in Saint Paul and frequented nearby Cheapo Records, a Saint Paul record store where Hart was a sales clerk.
At age 64, former Hüsker Dü/Sugar leader Bob Mould is still rocking out on his first solo album in nearly five years, Here We Go Crazy, which is due March 7 from Granary Music/BMG. The 11-track ...
Poison Years is a compilation album by Bob Mould, who had been the guitarist and co-vocalist of the influential American rock band Hüsker Dü. [2] It is essentially a condensed version of Mould's first two solo albums on Virgin Records, Workbook (1989) and Black Sheets of Rain (1990), and was released in mid-1994 [3] after Mould had achieved considerable success with his new band Sugar. [4]
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Workbook is the 1989 debut solo album by American guitarist and singer Bob Mould, following the breakup of the influential punk rock band Hüsker Dü.The album has a strong folk influence and lighter overall sound than he had been known for, although heavy guitar features occasionally.
Blue Hearts is the 14th solo album by the American alternative rock musician Bob Mould, released in 2020. [1] [2] Mould considered the tracks to be protest songs. [3] The album peaked at No. 181 on the Billboard 200. [4]