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  2. Three Concert Études - Wikipedia

    en.wikipedia.org/wiki/Three_Concert_Études

    Un sospiro consists of a flowing background superimposed by a simple melody written in the third staff. This third staff—an additional treble staff—is written with the direction to the performer that notes with the stem up are for the right hand and notes with the stem down are for the left hand.

  3. Ania Dorfmann - Wikipedia

    en.wikipedia.org/wiki/Ania_Dorfmann

    Ania Dorfmann (9 July 1899 – 21 April 1984) was a Russian-American pianist and teacher, who taught at the Juilliard School in New York for many years and was the first of only a very few women pianists to play or record under Arturo Toscanini.

  4. Three-section staff - Wikipedia

    en.wikipedia.org/wiki/Three-section_staff

    Three-section staff. The three-section staff, three-part staff, triple staff, originally sanjiegun (Chinese: 三節棍; pinyin: sānjiégùn; Jyutping: saam1 zit3 gwan3) or sansetsukon (Japanese: さんせつこん), three-section whip, originally sanjiebian (Chinese: 三節鞭; pinyin: sānjiébiān; Jyutping: saam1 zit3 bin1), is a Chinese flail weapon that consists of three wooden or metal ...

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  6. Sospiri - Wikipedia

    en.wikipedia.org/wiki/Sospiri

    Sospiri, Op. 70, is an adagio for string orchestra, harp (or piano), and organ (or harmonium) [1] composed by Edward Elgar just before and performed just after the beginning of World War I.

  7. Étude Op. 25, No. 12 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Étude_Op._25,_No._12_(Chopin)

    In the first French edition, the time signature is 4/4, but most recent editions of this piece follow the manuscript and German editions, which indicate cut time. [1] This work is a series of rising and falling arpeggios in various chord progressions from C minor. It is sometimes nicknamed the "Ocean" étude. [2] [3]

  8. Hungarian Rhapsody No. 6 - Wikipedia

    en.wikipedia.org/wiki/Hungarian_Rhapsody_No._6

    4 rhythm. This is because Liszt did not start the first chord of the piece as an upbeat, which is what many composers have done to relate to the time signature of the piece. The melody of the first part is repetitive, leading to a brief prelude of the friska section's main theme and ending with a long cadenza mainly using the black keys.

  9. Talk:Un sospiro - Wikipedia

    en.wikipedia.org/wiki/Talk:Un_Sospiro

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