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Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village.Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
Pimmalione (Pygmalion) is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris, on 30 November 1809.The libretto is an adaptation by Stefano Vestris [1] of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his scène lyrique Pygmalion (1770).
Pygmalion Adoring His Statue by Jean Raoux, 1717. In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a ...
Pigmalion, more commonly today Pygmalion, is an opera in the form of a one-act acte de ballet by Jean-Philippe Rameau first performed on 27 August 1748 at the Paris Opera. The libretto is by Ballot de Sauvot .
Il Pigmalione (Pygmalion) is a scena lirica (lyric scene or opera) in one act by Gaetano Donizetti.The librettist is unknown, but it is known that the libretto was based on one by Antonio Simeone Sografi for Giovanni Battista Cimador [] 's Pimmalione (1790), in turn based on Jean-Jacques Rousseau's Pygmalion [1] and ultimately based on Book X of Ovid's Metamorphoses. [2]
Pygmalion was the fourth of the five theatrical collaborations of Benda and Gotter. Gotter based his text on Jean-Jacques Rousseau's 1762 play Pygmalion. Benda's melodrama is unusual as it has no singing roles. Two of the three characters, Pygmalion and Galatea, are spoken roles; the other, Venus, is silently acted on stage.
Pygmalion (Ancient Greek: Πυγμαλίων Pugmaliōn; Latin: Pygmalion) was king of Tyre [1] from 831 to 785 BCE and a son of King Mattan I (840–832 BC).. During Pygmalion's reign, Tyre seems to have shifted the heart of its trading empire from the Middle East to the Mediterranean, as can be judged from the building of new colonies including Kition on Cyprus, Sardinia (see Nora Stone ...
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.