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In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
Narcissus in culture – uses of narcissus flowers by humans; Lime tree in culture – uses of the lime (linden) tree by humans; Rose symbolism – a more expansive list of symbolic meanings of the rose; Apple (symbolism) – a more expansive list of symbolic means for apples
Within Christian traditions, many instances reported involve images of Jesus or other Christian figures seen in food; in the Muslim world, structures in food and other natural objects may be perceived as religious text in Arabic script, particularly the word Allah or verses from the Qur'an.
What's not to love about spring? We get warmer weather, blooming flowers, and of course, all of those special days that come with the season of rebirth and life—looking at you Easter!
The symbol of light was a pagan device adopted by Christians, and perhaps the most important one that did not come from Jewish traditions. Christian churches were built so that the congregation faced toward the sunrise. [18] Tonatiuh, the Aztec god of the sun, [19] was closely associated with the practice of human sacrifice. [19]
The Christian cross has traditionally been a symbol representing Christianity or Christendom as a whole, [2] and is the best-known symbol of Christianity. [2] The Christian cross was in use from the time of early Christianity , but it remained less prominent than competing symbols ( Ichthys , Staurogram , Alpha and Omega , Christogram , Labarum ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.