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"Writing about music is like dancing about architecture" is a maxim used to express the futility of translating music through words. [1] It may be employed as an argument for dismissing music criticism altogether. [2] The quote's origin is unknown. It is most commonly misattributed to musicians Laurie Anderson [3] and Elvis Costello. [4]
Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". [20] For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned".
The son of an architect (A.G. Price, who worked with Harry Weedon), [1] Price was born in Stone, Staffordshire, and studied architecture at St John's College, Cambridge, graduating in 1955, and the Architectural Association School of Architecture in London, where he encountered and was influenced by the modernist architect and urban planner Arthur Korn. [2]
The Poetics of Space (French: La Poétique de l'Espace) is a 1958 book about architecture by the French philosopher Gaston Bachelard. The book is considered an important work about art. Commentators have compared Bachelard's views to those of the philosopher Martin Heidegger.
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
The Timeless Way of Building is a 1979 book by Christopher Alexander that proposes a new theory of architecture (and design in general) that relies on the understanding and configuration of design patterns.
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The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice . [ 1 ]