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Greenberg echoes this sentiment, noting that Plath was not nuanced in referencing mental illness and heartbreak within her poetry, namely "Mad Girl's Love Song", but because she was a young woman she was labeled as mentally ill or crazed young girl rather than celebrated as an iconic poet. [2]
Neil Hilborn (born August 8, 1990) is an American slam poet who writes and performs poetry. His poems often detail personal experiences and battles with mental illness. He is best known for his poem "OCD", which has received 75 million views online. Hilborn tours to perform his poetry at colleges and other venues.
Sylvia Plath. The Sylvia Plath effect is the phenomenon that poets are more susceptible to mental illness than other creative writers. The term was coined in 2001 by psychologist James C. Kaufman, and implications and possibilities for future research are discussed. [1]
Sexton is seen as the modern model of the confessional poet due to the intimate and emotional content of her poetry. Sexton often wrote and disclosed her struggles with mental illness through her work. Sexton included numerous topics which were then regarded as obscene and repulsive, especially for women to talk about publicly at the time.
Hopkins has since written several verse novels exposing teenage struggles such as drug addiction, mental illness, and prostitution, including Crank, Burned, Impulse, Identical, Glass, Tricks, Tilt, and Fallout. Glass is the sequel to Crank, and Fallout, the third and final book in the series, was released on September 14, 2010.
Teen eating disorders like anorexia or bulimia have never been this rampant — or this severe, new research indicates. ... which has the highest death rate of any mental illness, jumped 129.26% ...
Austen’s prose and satire are also highly lauded by women today. “She managed to render the inner life of her characters in a way that was stylistically quite innovative,” 38-year-old ...
By far the most controversial reaction against confessional poetry is known as New Formalism, which argues for the return to rhymed, metrical, and narrative poetry. New formalism began during the 1970s and early 80s when younger poets from the Baby Boom Generation began to fight against the dominance of both free verse and confessional poetry.