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In the field of literary theory, geocriticism is an interdisciplinary method of literary analysis that focuses not only on such temporal data as relations between the life and times of the author (as in biographical criticism), the history of the text (as in textual criticism), or the story (as studied by narratology), but also on spatial data.
John Brinckerhoff "Brinck" [1] Jackson (September 25, 1909 – August 29, 1996) was a writer, publisher, instructor, and sketch artist in landscape design. Herbert Muschamp, architecture critic of the New York Times, stated that J. B. Jackson was "America's greatest living writer on the forces that have shaped the land this nation occupies."
In comparison with other 'political' forms of criticism, there has been relatively little dispute about the moral and philosophical aims of ecocriticism, although its scope has broadened from nature writing, romantic poetry, and canonical literature to take in film, television, theatre, animal stories, architectures, scientific narratives and an extraordinary range of literary texts.
It includes poetry, essays of solitude or escape, as well as travel and adventure writing. [ 1 ] Modern-day nature writing traces its roots to works of natural history that initially gained popularity in the second half of the 18th century, and continued to do so throughout the 19th century.
Sharawadgi or sharawaggi is a style of landscape gardening or architecture in which rigid lines and symmetry are avoided to give the scene an organic, naturalistic appearance. This was supposedly a concept in the Chinese garden , and starting with Sir William Temple 's essay Upon the gardens of Epicurus , may have been influential in English ...
Arcadia (Greek: Αρκαδία) refers to a vision of pastoralism and harmony with nature.The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness.
It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour.
Though predicated on the description of a landscape or piece of scenery, topographical poetry often, at least implicitly, addresses a social or political issue or the meaning of nationality in some way. The description of elements in the landscape thus becomes a poetic vehicle through which a personal interpretation is delivered.