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Falstaff (Italian pronunciation:) is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2 , by William Shakespeare .
Valzer (written by Verdi for piano, but not published until 1963 when Nino Rota adapted it for orchestra in his score for Luchino Visconti's film The Leopard) Orchestral. Sinfonia in B-flat major; Sinfonia in C major; Sinfonia del M. Verdi in D major ; with Giacomo Mori, Canto di Virginia Con Variazioni per Oboe Composte con accomp.to d ...
The "Operadis" discography lists more than seventy other recordings, made at live performances. They include those conducted by Sir Thomas Beecham at the Metropolitan Opera in 1944 with Leonard Warren in the title role; [4] Fritz Reiner with Warren at the Met (1948); [5] Victor de Sabata with Mariano Stabile at La Scala (1951); [6] Karajan and Gobbi at the Salzburg Festival (1957); [7] Tullio ...
Georg Solti – Verdi: Falstaff (RCA Italiana Opera Chorus and Orchestra) Rudolf Kempe – Smetana: The Bartered Bride (Bamberg Symphony) Thomas Schippers – Puccini: La Boheme (Orchestra of The Opera House-Rome and Chorus of the Opera House-Rome) Alexander Melik-Pachaev – Mussorgsky: Boris Godounov (Bolshoi Theatre Chorus and Bolshoi ...
Sir Geraint Llewellyn Evans CBE (16 February 1922 – 19 September 1992) was a Welsh bass-baritone noted for operatic roles including Figaro in Le nozze di Figaro, Papageno in Die Zauberflöte, and the title role in Wozzeck. Evans was especially acclaimed for his performances in the title role of Verdi's Falstaff.
The Life of Verdi is a 1982 Italian-language biographical television miniseries directed by Renato Castellani dramatizing the life of Italian composer Giuseppe Verdi. Castellani also co-wrote the original script with Leonardo Benvenuti and Piero De Bernardi. The English version was written by Gene Luotto and narrated by Burt Lancaster.
Verdi in 1859. In the seasons which followed the premiere in Rimini, Aroldo appeared in the autumn 1857 season first in Bologna, then Turin, Treviso, and Verona. [17]The winter carnival season of 1858 saw productions in Venice at La Fenice, Cremona, Parma (which chose it over the original Simon Boccanegra), [18] Florence, and Rome. [17]
Reviewers questioned Verdi's decision to include songs representing the United Kingdom("God Save the Queen"), France ("La Marseillaise") and Italy ("Il Canto degli Italiani", also known as "Inno di Mameli"). At the time, neither "La Marseillaise" nor "Il Canto degli Italiani" were their respective country's national anthem.