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The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii , which is one of the largest groups of surviving Roman frescoes.
Atrium and south wall of the tablinum. The House of Marcus Lucretius Fronto (Italian: Casa di Marco Lucrezio Frontone, [1] V.4.a) is a Roman house in Pompeii with well-preserved wall paintings in both the late Third Style as well as the Fourth Style.
1895 watercolor of east wall of exedra p (Mau plan) by Luigi Bazzani depicting punishment of Ixion House of the Vetti by Luigi Bazzani (watercolor) before 1927. The House of the Vettii features a large assortment of fresco paintings in the Pompeian Fourth style. There are twelve surviving panels, which depict mythological scenes.
The Villa of P. Fannius Synistor at Boscoreale was excavated in 1900 and many of the frescoes were stripped from the walls and auctioned off. One of the more notable conservation and restoration projects has taken place at the Metropolitan Museum of Art in New York, NY, where they have restored and installed the paintings (2002-2007) from the Villa's cubiculum, or bedroom, for the new Greek ...
The villa's frescoes fall into the Pompeian Third Style of wall-paintings which were created during the imperial rule of Augustus. Key characteristics of the Third Style found in the villa were Egyptian imagery, mythological scenery, and intricate ornamentation. [17] [22]
The bottom half of the painting was found intact in the House of the Tragic Poet, and depicts Eros as he rides a dolphin and carries a trident. The missing portion, visible in Stabiae, shows that the painting originally depicted Poseidon on his sea horse as he abducted Amphitrite. Like in other panels, she looked out toward the viewer.
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