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Tonight is the sixth album by FM, a progressive rock group from Toronto, Ontario, Canada, released on Duke Street Records in 1987. It was their last studio album for 28 years. Further albums of live and demo material were issued between this period. It reached #87 on the Canadian charts, November 28, 1987 [1]
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
FM Static was a Canadian Christian rock duo based in Toronto, Ontario. The band was formed in 2003 as a side project for Thousand Foot Krutch. The band consisted of Trevor McNevan and Steve Augustine. The original lineup included John Bunner on guitar and Justin Smith on bass. [1]
"Tonight" by FM Static, from the album Critically Ashamed "Tonight" by Freezepop, from the album Fancy Ultra•Fresh "Tonight" by the Godfathers, from the album Alpha Beta Gamma Delta "Tonight" by Hard-Fi, from the album Once Upon a Time in the West "Tonight" by Inna, from the album Party Never Ends "Tonight" by James, a B-side of the single ...
Commonly used in both popular and classical music, barre chords are frequently used in combination with "open" chords, where the guitar's open (unfretted) strings construct the chord. Playing a chord with the barre technique slightly affects tone quality. A closed, or fretted, note sounds slightly different from an open, unfretted, string.
"FM (No Static at All)" is a song by American jazz-rock band Steely Dan and the title theme for the 1978 film FM. It made the US Top 40 the year of its release as a single. A jazz-rock composition of bass, guitar and piano, its lyrics criticize the album-oriented rock format of many FM radio stations at that time, in contrast to the film's celebration of the medium.
The chord a minor third above, ♭ VII 7, may be substituted for the dominant, and may be preceded by its ii: iv 7. [16] Due to common use the two chords of the backdoor progression (IV 7-♭ VII 7) may be substituted for the dominant chord. [11] In C major the dominant would be G7: GBDF, sharing two common tones with B ♭ 7: B ♭ DFA ♭.
The parallel chord (but not the counter parallel chord) of a major chord will always be the minor chord whose root is a minor third down from the major chord's root, inversely the parallel chord of a minor chord will be the major chord whose root is a minor third up from the root of the minor chord.