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Close-up of shisha (mirror) framed by embroidery stitches. Shisheh or abhla bharat embroidery (Persian شيشه, abhala bharat; Hindi: आà¤à¤²à¤¾ à¤à¤°à¤¤, abhla bharat; Gujarati: આàªàª²àª¾ àªàª°àª¤), or mirror-work, is a type of embroidery which attaches small pieces of mirrors or reflective metal to fabric.
Mirrorwork is very popular for cushion covers and bedcovers, purses and decorative hangings as well as in decorative borders in women's salwar-kameez and sari. Thousands of women from kutch (Gujarat) and sikar, churu (Rajasthan) are engaged in doing hand embroidery work like tie, mirror work, beads on fabric.
Applying tiny mirrors attached with buttonhole and other stitch is the technique most characteristic of Sindhi work, but couching, appliqué and metal thread work are also very popular. Each caste has its own designs and motifs and favored color schemes particular array to such a degree that embroidery becomes a mark identification.
By the 19th century, affluent homes in Isfahan featured a 'mirror room' as a reception space, in which mirror work was combined with carved stucco and the display of artist's prints. [ 6 ] Monir Shahroudy Farmanfarmaian was an Iranian artist who, by re-interpreting Ayeneh-kari, brought the art form into the contemporary art scene.
The stitching on the cloth gives it a slightly wrinkled, wavy effect. Contemporary kantha is applied to a wider range of garments such as sarees, dupatta, shirts for men and women, bedding and other furnishing fabrics, mostly using cotton and silk. Modern Kantha-stitch craft industry involves a very complex multi-staged production model. [6]
Mrityunjay Sarkar, a weaver of Mirzapur, is the inventor of this famous saree. [1] This handloom saree is famous for the beautiful delicate designs on the anchal and "butti", the use of 100% pure silk in the weave and the saree fineness of the fabric. In 2024, Garad Saree received recognition as a Registered Geographical indication. [2]
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