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Miller & Richard's original specimen for their Old Style fonts, in a mock-traditional style with the long s and archaic ligatures. [1]Old Style, later referred to as modernised old style, was the name given to a series of serif typefaces cut from the mid-nineteenth century and sold by the type foundry Miller & Richard, of Edinburgh in Scotland.
19th; 20th; 21st; 22nd; 23rd; ... Pages in category "Typefaces and fonts introduced in the 19th century" The following 2 pages are in this category, out of 2 total.
19th; 20th; 21st; 22nd; 23rd; 24th; Subcategories. This category has the following 8 subcategories, out of 8 total. T. Typefaces and fonts introduced in 1890 (1 P ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Stylistically the serif fonts of the mid-19th century appeared very robust and otherwise had more or less neo-classical design features, which changed during the course of time: By the application of the slab serif design feature and by appending serifs to more and more typefaces, an independent intermediate group of heterogeneous fonts emerged ...
The abstracted long "s" (resembling a barless "f") fell out of use in the 19th century. The word "Antiqua" written in the Antiqua style. Antiqua (/ æ n ˈ t iː k w ə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2]
The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in Germany and Austria, the two styles of printing coexisted until the ...
Up to the 19th century, Kurrent (also known as German cursive) was used in German-language longhand. Kurrent was not used exclusively, but rather in parallel to modern cursive (which is the same as English cursive). Writers used both cursive styles: location, contents and context of the text determined which style to use.