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More images: 1882 Forest in Barbizon [11] Private Collection 018 20.5 × 30.5 More images: 1882 Summer [13] Private Collection 019 32.4 × 39.4 More images: 1882 Forest at sunset [13] Private Collection 020 15.9 × 24.8 More images: 1882 Grassy river bank [13] 021 32 × 40 More images: 1882 Landscape with a stake [13] 022 38 × 46.1 More images ...
The Circus (Seurat) M. Models (painting) P. Parade de cirque; S. A Sunday Afternoon on the Island of La Grande Jatte; Y. Young Woman Powdering Herself (Seurat)
The rise of the summer vacation meant artists found a ready market for seaside images. Unlike older artists such as Monet, though, Seurat preferred utterly prosaic images of ports and shores, rather than more dramatic sunsets and stormy seas. The complete lack of humans, either vacationers or hardworking fishermen, was typical of Seurat's ...
Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. [9]
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
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Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. [2] The movement Seurat began with this technique is known as Neo-impressionism.