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When the London theatres re-opened in 1660, the first professional actresses appeared on the public stage, replacing the boys in dresses of the Shakespeare era. To see real women speak the risqué dialogue of Restoration comedy and show off their bodies on stage was a great novelty, and soon the even greater sensation was introduced of women ...
Xout Lao is composed of different parts. The style varies between genders from regions to regions, and it often depends on the occasions. For instance, in formal settings men typically wear a white silk Nehru-style jacket with a pha hang with white knee-length socks and dress shoes.
The terms breeches or knee-breeches specifically designate the knee-length garments worn by men from the later 16th century to the early 19th century. After that, they survived in England only in very formal wear, such as the livery worn by some servants into the early 20th century, and the court dress worn by others, such as King's Counsel ...
The style of wearing the lamba likewise varies between regions and according to the gender of the wearer. Both sexes will wrap it around the waist, much like a sarong. Women will also wear it wrapped over or beneath the bust to form a sheath dress, often with matching lamba headdress. These styles can be paired with a tank top or other light shirt.
The fashion for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered.
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Knee-length topcoats, often with contrasting velvet or fur collars, and calf-length overcoats were worn in winter. Men's shoes had higher heels and a narrow toe. Starting from the 1890s, the blazer was introduced, and was worn for sports, sailing, and other casual activities. [13] Throughout much of the Victorian era most men wore fairly short ...
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