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Cosmatesque screen at the Basilica di San Giovanni in Laterano.Some works of Deodatus di Cosma for Colonna family are housed in the basilica.. Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings.
Another column can now be observed up close in the St. Peter's Treasury Museum. Other columns from this set of twelve have been lost over the course of time. If these columns really were from one of the Temples in Jerusalem, the spiral pattern may have represented the oak tree which was the first Ark of the Covenant, mentioned in Joshua 24:26. [3]
Following Serlio's interpretation of Vitruvius (who gives no indication of the column's capital), in the Tuscan order the column had a simpler base—circular rather than squared as in the other orders, where Vitruvius was being followed—and with a simple torus and collar, and the column was unfluted, while both capital and entablature were ...
The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman architect Vitruvius through the study of classical buildings and structures.
Cosmatesque decoration is not entirely confined to Rome, or even to Italy. At Westminster Abbey there are two Cosmatesque pavements, the finest north of the Alps [ 3 ] set in Purbeck Marble : one is the Great Pavement before the high altar, the other the paving and decor associated with the shrine of Edward the Confessor in the Sanctuary, both ...
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The estipite column is a type of pilaster used in buildings in the Mannerist and Baroque styles, [1] a moment when many classical architectural elements lost their simple shapes and became increasingly complex, offering a variety of forms and exuberant decoration. [2] This sort of column has the shape of an inverted pyramid or obelisk.
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]
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