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"Sa Aking Mga Kabatà" (English: To My Fellow Youth) is a poem about the love of one's native language written in Tagalog. It is widely attributed to the Filipino national hero José Rizal, who supposedly wrote it in 1868 at the age of eight. [1]
At home, the Rizal ladies recovered a folded paper from the stove. On it was written an unsigned, untitled and undated poem of 14 five-line stanzas. The Rizals reproduced copies of the poem and sent them to Rizal's friends in the country and abroad. In 1897, Mariano Ponce in Hong Kong had the poem printed with the title "Mí último pensamiento ...
Early in the 20th century, the American translator Charles Derbyshire (whose English translation of Rizal's "Mi Ultimo Adios" is the most popular and most often recited version) translated the poem, but the translation contained flaws, as can be seen for example in the fifth line, where he translates "bella esperanza de la patria mia!"
The most popular Tagalog version of the Pasyón today is the Casaysayan nang Pasiong Mahal ni Hesucristong Panginoon Natin na Sucat Ipag-alab nang Puso nang Sinomang Babasa (modern orthography: “Kasaysayan ng Pasyóng Mahál ni Hesukristong Panginoón Natin na Sukat Ipág-alab ng Pusò ng Sínumang Babasa”, "The Story of the Passion of Jesus Christ, Our Lord, which Rightly Shall Ignite the ...
The prologue for W.E. Retana’s book on Rizal was written by Javier Gómez de la Serna, while the epilogue was written by Miguel de Unamuno (1864–1936). Vida y Escritos del Dr. José Rizal is the first biographical account of the life of Rizal written by a non-Filipino author (the second is Rizal: Philippine Nationalist and Martyr by British ...
In 1901, the American Governor General William Howard Taft suggested that the U.S.-sponsored Philippine Commission name Rizal a national hero for Filipinos. Jose Rizal was an ideal candidate, favourable to the American occupiers since he was dead, and non-violent, a favourable quality which, if emulated by Filipinos, would not threaten the ...
Dr. Rizal says to Fr. Pastells, "I believe in revelation, yes, but in that living revelation of nature which surrounds us everywhere, in that potent voice, eternal, incessant, incorruptible, clear, distinct, universal like the Being from which it originates, in that revelation which speaks to us and penetrates us from the moment we are born ...
The level of poetry in the Philippines had also risen, with poet Jose Garcia Villa making impacts in poetry history for introducing the style of comma poetry and the "reversed consonance rhyme scheme". [4] The American occupation and colonization of the Philippines led to the rise of "free verse" poetry, prose, and other genres.