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The Apple Lossless Audio Codec (ALAC, / ə ˈ l æ k /), also known as Apple Lossless, or Apple Lossless Encoder (ALE), is an audio coding format, and its reference audio codec implementation, developed by Apple Inc. for lossless data compression of digital music.
Individual songs are usually priced at either US$1.99/€1.49/£0.99, or US$1.00/€0.75/£0.59, with a few exceptions priced at £1.19 or £1.49/€1.99; [16] all are available for download through PlayStation Network, Xbox Live and the Wii's online service unless otherwise noted on the list below.
Audio file icons of various formats. An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression.
Audio-only MPEG-4 files generally have a .m4a extension. This is especially true of unprotected content. MPEG-4 files with audio streams encrypted by FairPlay digital rights management as were sold through the iTunes Store use the .m4p extension. iTunes Plus tracks, that the iTunes Store currently sells, are unencrypted and use .m4a accordingly.
iTunes Store is a digital marketplace selling songs, albums, music videos, ringtones and alert tones. It was launched by Apple Inc. on April 28, 2003 for macOS, and on October 16, 2003 for Microsoft Windows.
Formats: CD, LP, cassette, digital download; 2: 1 ... List of other charting songs, with selected chart positions, year released, and album name Title Year
The song has "a heavy dose of R&B" and a Miami bass beat. [9] [10] Lyrically, the song is a feminist anthem that celebrates living a "drama-free existence." Jennie stated that the song "was inspired by [her] time recording in Los Angeles" and was "about being positive, being expressive, and being true to who you are. It’s energetic and ...
Writing for Today, John Hartl criticised the film's music, saying "A musical lives or dies on the strength of its songs, and the late Jonathan Larson’s rock tunes for Rent simply don’t measure up. The music is more bombastic than melodic; the lyrics are banal and gratingly predictable — an affliction they share with much of the dialogue.
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